Friday, May 29, 2009

Recession: The Age of Change -Acknowledge and succeed!

We all have a reason good reason to panic during those though times. Even if we started year 2009 with encouraging news, the balloon just blew in our face with the recent drop in real estate market, but STOP. As dramatic as it is, a recession is simply a revolution. You may choose to go with the flow and choose to succeed, or be up against a tsunami. Those situations aren't new for mankind, just think about the fall of Rome. It's a time of profound changes and the first step is acknowledgement, so you can find ways to make it work for you.

While a recession can mean death for a resistant to change type of management, it is probably the greatest news for an entrepreneurial mind since the bid is open, and the old conventions are no longer.

According to Thomas Nagle, partner in the Cambridge, Mass., office of Monitor Group. in a recent article published in AdAge's CMO Strategy column "Times like these, when margins are down and the cost of raising new capital is high, are relatively unfavorable to new investments. Even fast-payback investments in trade shows or new ad campaigns look less promising when customers are buying less and expecting lower prices anyway. Still, some companies do mitigate sales declines with innovative marketing, often putting themselves in a stronger position for recovery as well. The key is to make the most out of capabilities the company already has to generate incremental revenue.

What makes recessions such good times to leverage existing advantages is that cash-strapped, or at least saving-motivated, customers are open to making changes they would not have made before. Millions of previously loyal Starbucks drinkers are now willing to forgo a custom-made beverage for a good-quality, standardized substitute at a lower price. Dunkin' Donuts and McDonald's are using that newfound price sensitivity to offer cut-price lattes and cappuccinos, at what are probably very good margins for those chains. And the customers they attract may also discover that the bagels at Dunkin' and the salads at McDonald's are an equally good value.

The key to success is to be open to some inside-out marketing. Look at what you're already capable of doing, probably in excess because of the recession, and figure out how that capacity could enable you to offer a new service or enter a new segment quickly, with relatively minimal investment. At least you can generate incremental contribution during the recession, and at best you may capture some new customers for future growth."

Remember your customers are more open than ever to change; it's just a matter of being creative. Brand what makes you different and don't be afraid of revisit your business model and products offering. Opportunities are out there for creative minds... Remember how Steve Jobs saved a dying music industry from pirates with his iTune store.


David Morin B.V.A
Principal/Brand Artist

Branding isn't just about eye candies -4 low costs actions to strenghten your brand during slow season

One of the most accurate definition of branding I can remember doesn't come from branding legends such as David Ogilvy or Leo Burnett but from Howard Schultz, from Starbuck: "...Branding is the sum of the actions taken by a company". You may be asking yourself: "How the heck is that gonna help me increase my sales during slow season?" Well, in an article published in MarketingProfs, Kimberly Smith says: "When the slow season strikes... it's time to put some energy into pumping up your brand."

She lists 4 actions to help you make the most of your dowtimes. As Howard suggests, branding goes above and beyond simple eye candies. Branding is much more about the companies culture in every facets of its daily operations to create an experience, while the visual aspect of it is just its graphic embodiement. In other words, the sum of your actions eventually shape the perceived value of your product, service or company, turning ordinary into extraordinary. As Marty Neumeier says in his book "The Branding Gap", "A brand isn't about what you say it is, it's about what they say it is".
The strategies suggested by Kimberly revolves around strenghthening the connection with your current customers. Since we all remember the old saying "It's far more expensive to attract more customer than keeping an old happy one". Not only that but Seth Godin also suggest that "...an old customer is far more likely to bring you new people via word of mouth than someone who isn't even a customer yet."

Kimberly highlights the achievements of one company that boosted sales by 12 percent and decreased client shrinkage by 75 percent with a program that included:
• Meeting one-on-one with clients with the sole purpose of discovering their needs and concerns.
• Making the executive team's contact information available to all clients.
• Producing competitive audits that detailed how clients might better engage their target markets.
• Incorporating thoughtful gestures into all client-facing activities.


Branding isn't just about eye candies. In downtimes as Kinberly says "It's time to catch up on all the little housekeeping, brand building tasks that have been put off due to time constraints. In addition to positioning yourself for future success, you'll likely find that exercises like these can help to keep yourself, and your staff, both busy and optimistic."

David Morin B.V.A.
Principal/Brand Artist

Wednesday, March 18, 2009

New Identity -Groupe Immobilier Pettigrew



Groupe Immobilier Pettigrew is a small real estate company which only deals with high end commercial spaces.

The communication challenge that the nature of their business was bringing, was calling for something high-end enough to attract the right clientele. A big game of perception had to be won as it is a key element in the natural positioning of the company.

See for every product, has a psychological price tag attached to it. This price tag will determine how we perceive a product and to what category it belongs to; entry level, intermediate or high end. When you introduce a product to the market, there’s a few thing you need to take into consideration.

Before anything if you didn’t do it yet, please do some research and know where you belong in the market. A price isn’t simply, “I have a product, it costs xyz to make, I can sell it for whatever so let’s do it and we’ll be rich!” Determining where you belong in the market is a price VS quality issue and has very little to do with your true cost (from a perception point of view).


Take Lexus as an example, let's pretend we are back in 1989 and Toyota is coming on the market with a car that is exactly the same as a Mercedes but costs only $35,000. Would you believe it? Maybe right off the bat you would say yeaaah duhhhh! But then, you would probably have a second thought: “Wait a minute, Mercedes cost at least $70,000 so how in the world am I gonna have an equal value for so cheap? On top of that, it wears the tag Toyota…Toyota makes great cars but it surely doesn’t compare with a Mercedes, at least the feel wouldn't be the same”. Now let’s say Toyota introduces a luxury line of vehicles called Lexus. It’s supposed to be as refined as Mercedes but since the line is less known, it sells for $10,000 less. Now it makes perfect sense right (Guess how Korean cars were able to make it in North America)?

How does that relate with real estate? Well, the right positioning prequalifies your leads. It will look too expensive for the guy who’s looking to start a small convenience store in a bad neighborhood of Sin City and will be right on target for the attorney firm that wishes to expand in a new building.


The important thing to remember here is that you and the quality of what you offer need to be in line with your client’s expectations. Otherwise will end up creating disappointment and this is how you end up burning a name.

So, using principles and philosophy described in my post of December 7th, I chose to go with a modern look (which is almost a tribute to the Bauhaus School in Germany). Since they are dealing mostly with office spaces, I chose to shape the “P” as if it was an office building, only using lighting contrasts to shape the idea of the building and the 3 dimensional effect. The typography is classic and clean which supports the idea of high-end office buildings.

I very much enjoyed working on this project, and your thoughts on this identity work are more than welcome.

David Morin B.V.A.
Brand Artist
www.getapowerplay.com